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Showing posts with label Story. Show all posts
Showing posts with label Story. Show all posts

The Palms of Ocracoke (Mild Horror)

This story started while I was on holiday in Spain, staring at the palm trees opposite the Bali beds we had by the pool.

Right at the top, where the fan-shaped leaves meet the trunk, the crowns looked strangely dark. For a second I thought I saw movement up there. It was probably a bird. Probably.

But then I started wondering ...  what if something lived up there? Something humanoid, but not quite human. A spirit, maybe. Someone lost. Something waiting.

That tiny thought became The Palms of Ocracoke.

Nobody on Ocracoke liked being near the palm grove after dark.

The strange thing was that even on still evenings, when the sea air had completely died away, the fronds at the very tops of the trees still seemed to move.

The villagers had plenty of explanations for it. None of them good.

Some said a demon lived among the crowns of the trees. Others claimed to have seen something small and human-shaped moving through the darkness above them.

Whatever the truth, most people gave the grove a wide berth.

Maeve never paid much attention to the stories.

Fear had lost most of its meaning 15 years ago.

During a violent autumn storm, a sudden flood had torn through the island’s low gullies. Her 7-year-old son, a bright, spirited boy with a shock of red hair, had vanished in the deluge.

His body was never found.

The village assumed the current had swept him out to sea. Maeve had spent the years since waiting for a knock on the door that would never come.

On the 15th anniversary of the storm, Maeve walked into the palm grove for the first time.

The mud sucked at her boots. The air was thick with damp earth, salt, and rotting vegetation. Above her, the palm crowns shifted in the dark, even though the air was still.

She kept walking.

At the end of a narrow gully, the trees seemed to gather closer together. Their trunks leaned inward, as though they were listening.

Then something moved above her.

Maeve looked up.

In the crowded crown of the nearest palm, the shadows twisted. A small figure stepped out from behind the trunk and stared down at her.

Maeve didn’t scream. She didn’t run.

She looked at the figure and felt a strange, sudden ache in her chest.

“Please,” she whispered into the dark. “Don’t be afraid.”

The figure froze.

Then a sudden rush of wind swept down from the fronds.

It struck Maeve.

There was no violence in it. Instead, a flood of memory, fear, and grief burst through her mind.

The spirit entered her and was instantly overwhelmed by the weight of her sorrow. For 15 years, he had been a lost and lonely thing in the dark, acting out only because he wanted to be seen. Now, through her, he understood the hole he had left behind.

He felt her sleepless nights. Her refusal to leave the island. Her fierce, stubborn love that had never faded.

And Maeve felt him.

She saw his final moments on the day of the storm. The roar of floodwater tearing through the gully. His small hands gripping the slick bark of a palm tree as the water rose around him. The awful snap of wood. The suffocating rush of mud and debris that buried him before he could cry out for her.

He hadn’t been washed out to sea.

He had been here all along.

Trapped between worlds. Terrified. Homesick.

Maeve wrapped her arms tightly around herself, holding the spirit within her as though she were holding him as a child again.

Tears streamed down her face, but she smiled through them.

“I’ve got you,” she whispered. “I’m so sorry. It wasn’t your fault, my sweet boy. It was just the storm. You can rest now. Momma’s here.”

She gave him everything she had left. Every ounce of love, forgiveness, and peace she had carried through all those years.

And at last, the boy stopped fighting the pull of the afterlife.

The cold fear that had gripped his soul for over a decade began to thaw.

He let go.

By morning, the fog had lifted from the grove.

The villagers found Maeve on her knees in the mud at the end of the gully, calm and tear-streaked, staring at the earth between her hands.

There, pushing through the damp soil, was a tiny palm sapling.

It was unlike any other tree in the grove.

While the rest of the palms were deep green, the very top of this young plant, where the fan leaves were just beginning to form, carried a bright, unmistakable shock of crimson.

Maeve gently touched the red frond.

“He’s home,” she whispered to the quiet forest. “He’s finally home.”

The village never feared the palm grove again.

In the years that followed, the old stories changed. People no longer spoke of demons in the crowns of the trees. Instead, they spoke of the boy who was lost, the mother who found him, and the strange little red-crowned palm that grew in the place where love had finally reached through the dark.

The Man History Lost Twice (Historical Fiction)

A story seed inspired by the life of Herbert Henry Scaife.

We know how the official story ends.

Private Herbert Henry Scaife, 2/4th Battalion, King’s Own Yorkshire Light Infantry, was reported missing during the fighting around Bourlon Wood in France on 27th November 1917. Months later, after enquiries by the Army and the British Red Cross failed to find any trace of him, his widow Margaret was informed that he was now presumed dead.

His body was never found.

His name was carved instead onto the Cambrai Memorial at Louverval, alongside thousands of other men who vanished into the chaos of the Great War.

But what if that was not the end of Herbert’s story?

Three days after the fighting had moved on, a French farmer picked his way carefully through the shattered edges of Bourlon Wood, searching for anything the Germans might have left behind. Timber. Tools. Food. Anything useful. The war had stripped the land bare, and survival often depended on what could be scavenged from the ruins.

That was when they found him.

Half buried in churned mud and splintered branches, still wearing the remains of a British uniform. One side of his head was blackened and swollen where a shell blast had torn through the trees nearby. He was alive, but barely.

When they tried speaking to him, he gave them only one word.

“Herbert.”

He said it again later in a weak, delirious murmur while they carried him back across the frozen ground.

“Herbert...”

The farmer and his wife knew enough about the war to understand the danger. If the Germans found a wounded British soldier hidden on their land, the consequences could be severe. But leaving him there to die felt impossible too.

So they hid him.

In the broken remains of an old farm building behind the house, they cleaned his wounds as best they could, fed him small amounts of bread and broth, and waited to see whether he would survive the winter.

The strange thing was that he did not seem to know who he was.

He recognised almost nothing around him. He spoke little. Sometimes he stared blankly into space for hours at a time. But every so often, usually in the dark hours before morning, the same word returned quietly under his breath.

“Herbert.”

And so that became his name.

Years later, the family he left behind would continue to mourn the brother, husband and father who never came home.

Meanwhile, across the Channel, an ageing farm worker with a Yorkshire face and a damaged memory would slowly build another life from the ruins of the old one.

In the end, Herbert Henry Scaife had two graves.

One held his name.

The other held the man himself.

History lost Herbert twice.

Letting Them In (Mild Horror)

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I thought I was just tired.

That was the strange thing about it. I didn’t feel dangerously exhausted. I wasn’t falling asleep at my desk or drifting off in meetings. I just felt slightly out of step with myself, like my brain was lagging behind everything else by a fraction of a second.

We’d just come back from holiday and the shift back into normal life had completely wrecked my sleep pattern. One week I was wandering around Spain in the sunshine with no alarms and nowhere urgent to be, then suddenly it was back to work, deadlines, emails, and lying awake at three in the morning staring at the ceiling for no obvious reason.

The night before had felt fairly normal. Not great sleep, but enough to get through the next day. At least that’s what I thought until I checked my sleep app the following morning.

SLEEP: 2hrs:11mins

Deep: 33%

Light: 24%

REM: 8%

Awake: 35%

I remember staring at the screen for a while because the numbers didn’t even seem possible. I’d spent longer than that lying in bed. Somehow my brain had barely switched off at all, although I thought I was asleep. Initially confused, I then blamed my sleep app for just being wrong, but ... I was very tired.

The effects of my tiredness started showing almost immediately at work. Nothing dramatic, just little mistakes that kept irritating me because they weren’t the sort of mistakes I usually make. Typos in emails. Wrong filenames. At one point I wrote down a project delivery date that had already passed. Tiny things, but enough to notice. Enough that I started feeling uneasy about how disconnected my thoughts felt.

Physically, I felt OK, but couldn’t stop the urge to yawn all the time and my eyes were feeling gritty in that way they do late at night.

Around eleven that morning I went and got a couple of minutes of fresh air, then to the kitchen to make myself a cup of tea.

Our large workplace kitchen sits off a long corridor to the office, and the lights outside are motion activated. They always take a second or two too long to register you and burst into life, so when you open the kitchen door the corridor sits in this awkward half-darkness for a moment.

I pushed the door open and something black and low to the ground moved quickly past my feet.

This wasn't a case that I thought I saw something, I mean I physically reacted to it. I bent my legs instinctively to avoid it bumping into me. The reaction was immediate, completely automatic, like somebody avoiding a dog running across their path.

Then the corridor lights flicked on, I looked around, but nothing was there.

No shadow disappearing around the corner. No bag on the floor. No movement at all. Just an empty corridor and the gentle hum of fluorescent lighting.

I stood there for a few seconds, the door had shut behind me and the tea was still sloshing around in my mug, trying to process what had just happened. The unsettling part wasn’t what I’d seen. It was how convincingly real it had felt. My body had reacted before my brain had time to question it.

I shook it off as a trick of the light, got back to my desk and carried on with my day, although I kept replaying the moment in my head. Every now and then I’d catch myself glancing down corridors slightly too quickly, or looking twice into empty rooms without really meaning to, but probably subconsciously looking for something.

That evening as my wife and I settled in to watch some TV, I picked up my phone and started reading about sleep deprivation.

That was probably a mistake.

Once you start reading deeply enough into severe sleep loss, you realise how fragile the brain actually is. People who miss enough REM sleep begin experiencing something called REM intrusion, where fragments of dreaming begin bleeding into waking consciousness. Hallucinations, movement in peripheral vision, shadow figures, distorted faces. The brain, desperate to complete the dreaming cycle it’s been denied, starts forcing parts of it into reality.

At least that’s the official explanation.

The thing that bothered me was how similar all the accounts sounded.

People described the same shapes. The same movement. The same feeling that whatever they’d seen wasn’t random. Some of them even described the exact same instinctive reaction I’d had, where their body responded before their conscious mind did. I found a couple of online forums, and Reddit provided some fascinating discussions around sleep, hallucinations, and narcolepsy.

Much of my research made me a little uneasy, not fearful, mainly because what I felt seemed strangely familiar.

That night I barely slept at all. Partly because my sleep pattern was already ruined, but mostly because every time I started drifting off I kept thinking about that thing in the corridor. My rational brain knew there had been nothing there, but another part of me seemed less convinced.

At around half past two in the morning I got up to get a glass of water. As I walked back upstairs I glanced absent-mindedly into the spare bedroom and saw someone standing beside the window.

I stopped instantly. There were only two of us in the house, and that wasn't my wife standing there.

The figure didn’t move. It was tall, unnaturally still, one arm hanging slightly lower than the other. For a moment I genuinely believed somebody had broken into the house.

Then I switched the landing light on and the room was empty. I went around the house and checked all the doors and windows, but I didn’t sleep properly after that.

The next few days became increasingly difficult to explain away. I started noticing movement where there shouldn’t be movement. A dark figure at the far end of a supermarket aisle that disappeared when I reached it. Someone sitting motionless in a parked car outside work who vanished the second time I looked. Once, while driving home late in the evening, I became convinced somebody was sitting silently in the back seat behind me.

That one frightened me enough that I had to pull over, get out of the car, and check the back seat and boot.

The strange thing is that these 'visions' never move once you properly focus on them. You only ever catch the movement beforehand, that brief glimpse of approach at the edge of your vision. Once you actually look at them directly, they’re completely still.

Watching. Waiting.

By then I was sleeping with the television on because silence had started making me uncomfortable. Every creak of the house sounded deliberate. Every dark reflection in the windows made me pause slightly longer than it should have.

Everywhere else I was becoming more wary of opening doors and walking into rooms, mildly worried about what I might see.

The exhaustion was building. The less sleep I got, the more often I saw them. Then seeing them made sleeping even harder. It became a loop that fed itself night after night.

I tried all the sensible explanations first.

Stress. Fatigue. Anxiety. Too much caffeine. Too much alcohol. Eating late at night. Poor sleep hygiene.

I went to the doctor. I cut down caffeine and alcohol completely, and I stopped eating after 8pm. I tried meditation apps, sleeping tablets, breathing exercises, all the normal advice people give you when your brain starts betraying you a little ... but none of it helped.

Three nights ago I woke at around four in the morning and saw one standing beside the bed, not near it, beside it.

Tall. Thin. Completely motionless. Its face looked almost human in the same way mannequins look almost human. Close enough at first glance, but wrong in tiny ways once you looked properly. The eyes were too still. The expression slightly delayed, like it was copying what a human face should look like rather than understanding it naturally.

I couldn’t move at first. Not because I was particularly scared, but because some buried instinct was telling me not to fully acknowledge what I was looking at.

The thing leaned closer until its face was inches from mine, and then it whispered something.

Not words exactly. More like a thought pressed directly into my head.

You’re letting us in. You’re letting us in. You’re letting us in. It kept repeating.

I don’t remember falling asleep afterward, but I woke properly just after sunrise with the bedroom empty and my heart hammering hard enough to hurt.

I called in sick to work that morning. I was too exhausted and my mental state just wasn't in the right place.

I was sat on the sofa all morning, casually aware that life was happening around me, but also deeply aware that something just wasn't right. These events just didn't feel like hallucinations, they felt very real. I continued my research, trying to understand what was happening. My thoughts wouldn’t settle. Even sitting still, I felt wired and exhausted at the same time.

Around lunchtime my wife casually asked why I’d been standing in the garden during the night.

I shot her a puzzled look and told her I hadn’t.

She looked immediately uncomfortable, like she regretted mentioning it at all, then quietly said she’d seen me through the bedroom window sometime around three in the morning.

Apparently I’d been standing completely still at the bottom of the garden facing the house. I was just staring up at the bedroom window.

Last night I finally understood what they are.

People think sleep deprivation causes hallucinations because the brain is failing. I don’t think that’s true anymore.

I think exhaustion weakens something. Some barrier between us and whatever these things are. That’s why they stay hidden in microsleeps and fragments of REM sleep, appearing only in glimpses and peripheral movement at first. They need you exhausted before you can properly perceive them.

And once you do, they start getting closer, much closer.

They don’t kill people. At least not physically. What they want is quieter than that. They replace you slowly, and carefully.

By the time it happens properly, nobody notices at first. You still remember names, routines, conversations. The thing now wearing you uses your memories like instructions from a manual.

Only the people closest to you sense something wrong. A slight delay before you smile. An odd flatness behind your eyes. Moments where you become strangely still and distant without realising it.

Tonight I’m trying not to sleep. But every time I blink I catch movement near the bedroom door. Something standing there patiently in the dark.

Waiting.

And deep down, somewhere beneath the exhaustion, I think I already know the worst part.

I don’t think they’ve been trying to get into the house.

I think they’ve been trying to get into me.

Biscuit Moon (Kids)

Once the rain had stopped, little drops of water still clung to the windows outside Freddie’s bedroom.

“Freddie!” Mum called from downstairs. “Are you ready yet? Nana and Grandy will be here soon!”

“I can’t find it!” Freddie shouted back.

“Can’t find what?” asked his mum, but Freddie didn’t respond. His head was tucked under the bed.

After looking under his bed for the third time, Freddie looked in one of his many toy boxes, then under his chair. But his bright red racing car was nowhere to be seen, and this wasn’t just any car. This was his favourite one.

There was a knock on the door.

"Freddie" his dad called, "Nana and Grandy are here."

Freddie sighed. A moment later he heard Grandy’s cheerful voice.

“Where’s our little man?” he shouted upstairs.

Freddie slowly walked downstairs. “What’s wrong?” Nana asked gently.

“I can’t find my car,” Freddie mumbled. “I wanted to show you it.”

“The bright red one?” said Grandy.

Freddie nodded sadly.

“Well,” Nana smiled, “the rain’s stopped now, and it’s turned into a lovely bright day.”

“And,” she added cheerfully, “I happen to know the park has some excellent puddles today.”

That made Freddie smile a little.

So off they went.

The park smelled fresh after the rain. Tiny puddles glittered along the winding paths, and the wet grass sparkled in the sunshine.

Whilst Nana and Grandy walked side by side, Freddie raced ahead in his little green wellies. He held his hands out like he was holding a steering wheel, and as he raced along, he made a quiet “brum, brum, brum” noise.

SPLASH.

He jumped in a little puddle.

SPLASH.

He jumped in an even bigger one that sent water flying everywhere.

Nana laughed. “I think that puddle nearly got Grandy!”

“Nearly?” said Grandy. “I think it soaked my socks!”

Freddie giggled and ran off again.

They watched ducks swimming across the pond. They counted dogs. They spotted a squirrel playing in some nearby trees.

By the time Freddie finally sat beside Nana and Grandy on a wooden bench, his cheeks were warm and pink from all the running.

As Freddie sat between them, Grandy gave Nana a knowing smile.

“What?” Freddie asked.

Grandy looked down at Freddie as Nana put an arm around her little grandson.

“Shall we tell Freddie about the Biscuit Moon?” he said quietly.

Nana’s eyes widened slightly.

“Oh…” she said quietly. “Yes. I think he’s old enough now.”

Freddie sat up straight and looked at them both.

“The Biscuit Moon?” he asked.

Nana reached into her bag, pulled out a small packet of biscuits, and handed them around. “Oh yes,” she smiled. “The Biscuit Moon.”

“Before you eat one,” Grandy whispered, “you have to snap it in half.”

“All at the same time,” Nana added. “Quite right, Nana,” Grandy replied. “I almost forgot that.”

Freddie held his biscuit carefully in both hands and watched Nana and Grandy raise theirs.

“One, two, three,” Nana said.

On three, they all broke their biscuits into two pieces.

“Good,” Nana smiled as she took a bite from hers.

“But what is the Biscuit Moon?” Freddie asked as he took a bite from one of his halves.

Grandy looked up at the pale daytime moon hanging above the clouds.

“Well,” he said quietly, “most people think the moon only comes out at night to shine.”

“But really,” Nana added, “the Biscuit Moon listens.”

Freddie looked up at the sky. “Listens to what?” he asked.

“Just listens,” Nana replied. “But it always seems to leave a little bit of happiness behind.”

“Nobody really knows how it works,” Grandy smiled. “It just does.”. “Not huge things,” continued Grandy. “Just little bits of happiness.”

“Like what?” Freddie asked.

Nana thought for a moment.

“Feeling better after being poorly,” she said, “or finding an extra sweet in your pocket when you think you’ve finished them.”

“Seeing someone you really hoped to see,” added Grandy.

“Or spotting a rainbow when you least expect it,” continued Nana. “Just something special and magical.”

Freddie looked down at the last half of the biscuit still in his hands.

“The Biscuit Moon seems to like shared biscuits best,” Nana explained softly.

So the three of them sat together on the park bench and finished eating their biscuits while the breeze rustled the trees around them.

And high above them, faint and pale in the bright afternoon sky, the moon quietly listened.

Freddie smiled to himself. It was probably just one of those funny little stories grandparents liked to tell.

Still, as he walked home between Nana and Grandy, holding both their hands, he secretly hoped the Biscuit Moon might really be listening after all.

The next morning, Freddie woke early.

The sunlight shone a beam of light across his room and over his blanket.

He rubbed his eyes, yawned, and was about to drop off to sleep again, when he spotted something, and then suddenly froze.

There, sitting neatly beside his pillow, was his bright red racing car.

Freddie grabbed it quickly. “The car!” he shouted, racing downstairs.

Mum looked up from the kitchen.

“You found it then?” she smiled.

“Did you put it there?” Freddie asked.

Mum shook her head.

“No, Freddie. But I’m pleased you found it again.”

Freddie looked down at his favourite toy.

Then he remembered the park. The biscuits. The story. The pale moon in the daytime sky.

A tiny smile spread across his face.

Very quietly, so only he could hear, Freddie whispered:

“Thank you, Grandy and Nana. And thank you, Biscuit Moon.”

The Doll at Platform Five (Mild Horror)

You get used to seeing the same things on the morning train. Same faces, same conversations, same bloke spilling coffee on his tie before we’ve even left the platform. But that morning, something different caught my eye, and my nose.

There was this faint smell in the carriage, like smoke, or maybe burnt dust off a radiator. It was difficult to place. It wasn’t like the typical smoke you get from a fire. It just seemed unusual. Nobody else seemed to notice. A woman across from me was laughing into her phone, and the fella next to her was hammering his keyboard like it owed him money.

I sniffed again. It was there, all right. Acrid, but oddly old, not the clean, chemical kind of smoke you get nowadays. Something heavier, like coal or charred cloth. Then, just as quick as it came, it was gone.

I couldn’t see anything out of the ordinary, and no-one else seemed concerned, so I just put it down to one of those things.

As the train slowed into the station, I glanced past my reflection and up at the big glass hotel that sits just beyond the tracks. In one of the second-floor windows stood what looked like a child-sized doll. Pale face, expressionless, perhaps a little sad. It was dressed in old-fashioned clothes, Victorian, I guessed. Its head was forward, but looking over me and the carriage I was in. It seemed to be looking out across the city.

It was the sort of doll that definitely belonged in a museum, not a hotel. It was so out of place, but I couldn’t stop staring. I couldn’t help wondering why someone would take something like that to a hotel. By the time the train stopped and I stepped onto the platform, I looked up again. The doll was gone.

Next morning, there it was again. Same window, same doll, motionless. Nobody else seemed to notice. Too busy scrolling through newsfeeds and emails to look out of the window.

Then suddenly something inside me dipped, like stepping off a kerb you didn’t see. My pulse thudded in my ears, and there was that whiff of smoke again, curling at the back of my throat, dry and unpleasant.

It stuck in my head all morning. Over lunch, I started poking about online. The hotel’s website was all brick, glass, and chrome, all “boutique luxury” and “city views”. I wanted to see what had stood there before. A few clicks later, on one of those old map archives, I found it. The Slate Wharfe Workhouse, right by the old cut of the Wharfe, just south of the railway lines.

A miserable place, by the sounds of it. I found a grainy photograph. It looked miserable too. Soot-blackened brick, barred windows, smokestacks in the distance. Then I came across a snippet from a 1908 newspaper: “Fire at Slate Wharfe Workhouse. Many Saved by Workhouse Labourer.”

The article was short. They thought the blaze started in the laundry. Most of the children were dragged out by a labourer who went back inside again and again until the roof came down. The report said he’d tried to reach the last child, a girl seen trapped at an upstairs window, banging at the barred window as the flames took hold. Her body was never recovered.

That night, I dreamed of heat and smoke, and child’s hands pressing at the windows.

Next morning, I made sure to sit by the window in the carriage again. As we slowed past the hotel, there she was again, the doll, staring out. I lifted my phone and took a picture. When I looked at it later, I felt something cold tighten in my chest.

The doll was there, yes… but behind it, faint in the reflection of the glass, was the outline of a man. His face was partly lost in the glare, yet the shape of it, the hair, the eyes, the jaw, it looked horribly familiar.

It looked like me.

I don’t know what to make of it. But sometimes, when the train brakes before the platform and the air smells faintly of hot metal, I catch that old taste of smoke in my mouth… and once, I swear, I coughed up a fleck of soot.

And this morning, as I sat there trying not to look at the window, my phone buzzed with a new photo, no message, no sender.

It was my photo of the doll.

Only this time, its head had turned… and it was looking straight at me.

An original short story by Andrew Scaife
© Andrew Scaife, 2026. All rights reserved. 

When Rosie met Sammy (Kids)

years ago, when my daughters were very young, I used to write little stories about the things they loved. This is one of them about our adorable (and sometimes slightly chaotic) family cat.

Suitable for ages 4 to 8 (read-aloud).

Story 2 of 2 in the “Rosie the Cat” series

When Rosie Met Sammy

Rosie is a small black and white cat. She lives in a big house and is looked after by two little girls.

Emily and Rebecca loved looking after Rosie, and each night they fed her and let her go outside to play.

One night, after Rosie had eaten her supper, she walked down the garden path, jumped onto the wall at the bottom of the garden, and settled down to sleep. All was quiet… well, almost.

Rosie could hear someone crying.

She looked up and down. She saw nothing. She looked left and right, and there, at the end of the wall, she saw a small squirrel sitting with its head in its paws, crying.

Rosie quietly walked over to the poor, sobbing animal.

“Hello,” said Rosie.

“Hello,” sobbed the squirrel.

“I’m Rosie,” said Rosie.

“I’m Sammy,” answered the squirrel.

“What’s the matter, Sammy?” asked Rosie.

“I’m lost,” replied Sammy, and he began to cry again. “I was playing, then exploring, and now I’m lost. I can’t find my way home.”

Rosie looked around to try to help her new friend.

“Do you live in these bushes?” she asked, trying to help.

Sammy looked at the bushes in the garden. They looked dark and prickly.

“No,” answered Sammy.

Rosie looked around again.

“Do you live in the shed?” she asked, looking towards the shed at the bottom of her garden.

Sammy looked at the shed. It looked warm, dry, and friendly, but it wasn’t where he lived.

“No,” the sad squirrel answered again.

“I live in a tree,” said Sammy. “In a drey.”

“A drey?” questioned Rosie.

“Yes, a drey is the place where squirrels live. They are dry, comfortable, and warm, and they are built high in trees.”

Suddenly, somewhere in the distance, a dog barked, giving Rosie and Sammy a fright.

“I don’t like it here,” said Sammy.

“Can you remember anything about where your drey is?” asked Rosie.

“Well,” said Sammy, thinking hard, “it’s in a tree. In fact, there are a lot of trees near it. It’s near a place where children play, and there is a small stream nearby.”

Rosie beamed a huge smile.

“I think I know where that is, Sammy.”

“Really? Is it far away?” asked Sammy, now smiling too.

“Not very far at all,” said Rosie.

They jumped down from the garden wall, and Rosie led the way. “We’ll stick to the shadows,” she said quietly, “and keep away from the street lights.”

They moved quickly down the road, staying close to the hedges, before darting into a big bush at the end. Cars passed by, their headlights sweeping across the road, but Rosie and Sammy stayed perfectly still, hidden in the darkness.

“This way,” whispered Rosie.

They slipped down the side of a house and into a back garden. Rosie peered ahead. The coast was clear.

She leapt over a fence, with Sammy hopping close behind, and they dropped down on the other side.

In front of them was a steep bank, and below it, a small stream. Across the stream, they could see a wooded area.

Rosie spotted a fallen branch nearby.

“Over here, Sammy,” she whispered.

Together, they hurried across the branch, balancing carefully as they crossed the stream. Then they climbed up the bank on the other side and pushed through thick, dense hedges.

When they emerged, Sammy’s eyes lit up.

Across the grassy clearing in front of them, and beyond a small childrens play area was a cluster of tall trees.

“Rosie, that’s it… I’m home!” he squeaked with delight.

Sammy gave Rosie a quick, grateful hug before racing across the grass, past a climbing frame and a set of swings, and up the nearest tree. High above, Rosie could see another squirrel rush forward and wrap him in a relieved hug.

Sammy turned, waved down at Rosie, and then disappeared into his drey.

Rosie sat for a moment, watching the tree, pleased that her new friend was safe.

Then, with a flick of her tail, she turned and quietly made her way back home, ready for a well-earned sleep.

An original story by Andrew Scaife (written in 2006)
© Andrew Scaife, 2006–. All rights reserved.

Rosie and the Playtime (Kids)

years ago, when my daughters were very young, I used to write little stories about the things they loved. This is one of them about adorable (and sometimes slightly chaotic) family cat.

Suitable for ages 4 to 8 (read-aloud).

Story 1 of 2 in the “Rosie the Cat” series

Rosie and the Playtime

Rosie loved the little girls that she lived with very much, but Emily and Rebecca were a little too bouncy and active for her sometimes, and all Rosie wanted to do most of the time was sleep.

Rosie loved to sleep and would spend large amounts of the day snoozing in a warm corner of the house, or under a particularly fragrant bush in the garden, and she never liked to have her sleep disturbed.

On this particular Sunday morning, Rosie had got herself settled nicely in front of the warm fire when she heard the unmistakable sound of the girls running downstairs, shouting her name.

“Rosie, Rosie, come out and play!” they both shouted together.

Rosie lifted her head, opened her eyes slightly, then simply settled down again as she listened to the laughter of the girls getting further and further away.

It seemed to Rosie that she had just got her head down again when Emily sat alongside her and started to stroke her.

“Come on Rosie,” whispered the excited little girl, “come and play with your toy mouse.”

Rosie was then aware of her favourite toy being galloped along the floor and all over her tired body. Rosie just rolled further onto her side and covered her eyes with her paws, stretching out her long, slender body for a good old stretch, before curling back into a ball.

But the girls were not going to give up that easily.

Rebecca leaned in close and whispered, “If you come and play, Rosie, you can have some extra treats later.”

One eye slowly opened.

Rosie lifted her head again, this time a little higher. Treats were something Rosie understood very well.

With a long, slow stretch, she finally stood up, flicked her tail, and began to walk quietly towards the back door. The girls looked at each other, trying to stay quiet, but their excitement bubbled over as they followed her outside.

In the garden, Rosie came alive.

She darted across the lawn, chasing after sticks the girls dragged along the grass. She pounced at invisible creatures only she could see, leaping high into the air before landing softly and racing off again. The girls chased her, laughing and calling her name, running back and forth across the garden.

For a while, Rosie forgot all about her nap.

Eventually, though, Rosie slowed. She stopped, looked around… and realised the girls were no longer chasing her.

Curious, she padded back towards the house.

The back door was still open. Rosie slipped inside and made her way into the living room.

There, curled up on the sofa, were Emily and Rebecca, fast asleep. Their playtime had worn them out completely.

Rosie paused for a moment, then jumped up gently between them. She turned in a small circle, settled herself comfortably, and with a soft purr, closed her eyes.

And so, after all that excitement, she finally got what they wanted… a nice, peaceful sleep.

An original story by Andrew Scaife (written in 2006)
© Andrew Scaife, 2006–. All rights reserved.

Why Do Squirrels Have Bushy Tails? (Kids)

years ago, when my daughter Rebecca was 14, we started writing stories together. I wrote a few children's stories at the time, and this is one of them.

Suitable for ages 4 to 8 (read-aloud).

Part 3 of 3 in the “Why Does It Work Like That?” series

Why Do Squirrels Have Bushy Tails?

When squirrels first appeared on the planet, they looked pretty similar to how they do today. The major difference was their tails.

While their tails were still made of hair, they were much thinner, rather like a rat’s tail.

You may not know this, but squirrels are messy creatures. Inside their homes, they tend to leave twigs, moss, and the shells of nuts and acorns all over the place, and since the beginning of time, this has been a problem for them.

Until one day, when one enterprising young squirrel decided to clean up his home. He found that brushing away the debris and dirt was difficult with his little arms and feet, and it left him very tired, so he decided to use his tail as a broom instead.

Now, he found that swishing his tail around was much easier, but with such a thin tail, the task still wasn’t an easy one to accomplish. Still, he carried on, and over the course of the day, he swished his tail around so much that something rather amazing started to happen. The hairs began to spring out, and his tail became bushier and bushier, and the sweeping became much easier.

At first, all the other squirrels laughed at this funny-looking youngster, but they quickly stopped when they saw how wonderfully clean his home was, and exactly how it got that way.

And that, dear friend, is why a squirrel’s tail is bushy, and why today squirrels have very tidy homes.

An original story by Andrew Scaife (written in 2013)
© Andrew Scaife, 2013–. All rights reserved.

Why Do Fish Swim? (Kids)

years ago, when my daughter Rebecca was 14, we started writing stories together. I wrote a few children's stories at the time, and this is one of them.

Suitable for ages 4 to 8 (read-aloud).

Part 2 of 3 in the “Why Does It Work Like That?” series

Why Do Fish Swim?

It’s a little-known fact that when fish first evolved, they stood upright on their tails and walked around much like we do today. A big problem for fish, though, was that they couldn’t wear shoes and socks on their tails, so walking on rough or hot ground was very uncomfortable. Because of this, they all walked around with rather grumpy looks on their faces.

One day, one small fish had really had enough of walking and hurt himself, so he sat in a hole in the path and sobbed. His tail hurt so much, and the more he thought about how much it hurt, the more upset he became. The more upset he got, the more he sobbed and cried.

After a while, his crying started to attract a large group of fish, who gathered around the hole to see what the matter was. Nobody could make him happy, so he became sadder and sadder, and cried more and more.

All the time he was crying about his poor, aching tail, the little hole began to fill up with his tears, so much so that the water rose up to his face. The little fish looked around and saw the huge crowd that had gathered. Suddenly, he felt very embarrassed. He dunked his head under the puddle of tears and kicked his tail to try to get away from everyone.

To his amazement, and to the amazement of all the other fish watching, the little fish glided quickly and effortlessly through the water. He kicked again with his tail and swam around faster and faster.

And to this day, while they could still walk on land on their tails if they wanted to, fish choose to swim, because it’s much easier.

An original story by Andrew Scaife (written in 2013)
© Andrew Scaife, 2013–. All rights reserved.

Why Is The Sky Blue? (Kids)

years ago, when my daughter Rebecca was 14, we started writing stories together. I wrote a few children's stories at the time, and this is one of them.

Suitable for ages 4 to 8 (read-aloud)

Part 1 of 3 in the “Why Does It Work Like That?” series

Why Is The Sky Blue

When the Goddess first created the planet that we all live on today, she was so proud of the rich tapestry of colours and textures she had woven into the land that, when it came to choosing what the sky would look like, she had no doubt at all. The sky should be a reflection of the beauty she saw in the hills, valleys, and fields, so she made it green.

It wasn’t long, however, before the other gods and goddesses pointed out that, with the land being so fertile and green, and the sky being such a beautiful hue of green too, it was often very difficult to determine where the sky ended and the land began. There was no horizon.

The Goddess thought long and hard about this problem. She loved the land she had created so much that the sky needed to somehow reflect this beauty.

After a few days and nights trying to decide on the best thing to do, she finally had a most magical idea.

She set to work immediately on creating the most beautiful sky. She used the brightest and best blue that she could lay her hands on, and dotted this new blue sky with deep, fluffy white clouds.

When she had finished, all the other gods and goddesses applauded what she had done and agreed that, in this new world, her work was the best.

An original story by Andrew Scaife (written in 2013)
© Andrew Scaife, 2013–. All rights reserved.

Crow Corner (Mild Horror)

The bend in the lane was known to every soul in the parish, though few spoke its name with ease. On the maps it was nothing more than a sharp dogleg between two hedgerows, but to locals it was Crow Corner. You could hear it before you reached it: the harsh, broken cries that filled the air, a chorus of hunger and accusation.

The trees that grew there seemed older than the land itself, oaks with limbs thick as a man’s torso, twisting low and heavy across the road. In summer, their branches knotted into a roof of green and shadow. In winter, they loomed like blackened skeletons, their boughs brittle with the weight of hundreds of birds.

The crows never left. From dawn till dusk they perched above the road, hopping across the branches, tilting their heads to stare down at passers-by with glassy, unblinking eyes. If you stopped beneath the canopy, the racket of wings and calls was deafening, as though the flock meant to drown out your thoughts. And the smell – even in the chill of January – was unmistakable: the sweet, metallic taint of rotting meat.

Few places collected death so readily. The corner was blind, its angles cruel, and the narrow road funnelled cars into its jaws without mercy. Every month or two, a fox, a badger, a deer, even the odd barn owl… all were struck, thrown into the ditch, and left for the birds. That was why they gathered, in their hundreds, always waiting.

There were stories too. Some said the crows were not natural at all, but souls trapped there, spirits of the wronged and restless. Others claimed that if you stood at midnight in the centre of the bend, you could hear whispers woven into the caws, voices of those who had died at the wheel.

Farmers spat when they passed it. Schoolchildren dared one another to cycle through, but none lingered long. Even the parish vicar once remarked that he felt watched whenever he travelled that way, as though the trees themselves had eyes.

Yet the place endured, as it always had, quiet but for its ceaseless choir of black wings.

And still, there were those who tempted fate.

Daniel’s name was known in the village, though few cared for it. He was simply “that lad with the car.” At twenty-one, he had inherited his uncle’s battered Ford Focus, and with it a sense of power far larger than the engine deserved.

Daniel had never cared much for books or steady work. He held down odd jobs here and there – labouring in summer, stacking shelves in winter – but nothing that lasted. What mattered was the road, the open stretch of tarmac where he could stamp his foot on the accelerator and feel, for a few fleeting seconds, like the master of something.

He wasn’t cruel by accident; it was part of him, stitched into his bones. When he first clipped a crow on the lane outside the village, the burst of feathers and the crack of bone had made him laugh out loud. He told his mates later, pint in hand at the Dog and Duck, how the bird had flailed, how it had bounced. Some had winced, others had chuckled nervously, but Daniel had grinned at their discomfort.

That was the beginning of his game.

Crow Corner offered endless sport. The birds gathered in their dozens, sometimes hundreds, spread across the tarmac to pick at the latest carcass. Daniel would gun the car round the bend, leaning into the wheel, teeth clenched, eyes fixed on the black mass ahead. Most times they lifted away, flapping in panic at the last second. But not always. Feathers struck glass; bodies crunched beneath tyres. Each hit gave him a thrill that no pint, no woman, no wage packet ever could.

He kept count, too. In a battered notebook shoved in the glove compartment, he tallied his kills with childish glee. Eleven in his first year. Twenty-four by the second. He took to boasting that the crows were learning his name, that they feared him now.

In the snug of the pub, the old men shook their heads and muttered. “He’ll get his comeuppance, that one,” said George Talbot, who had farmed the fields by Crow Corner since before the lad was born. But Daniel only smirked, sipping his lager. “Birds are daft, George. Plenty more where they came from.”

His mother fretted, as mothers do. She’d seen the scratches on the bonnet, the dried blood along the wheel arches. “It isn’t right, Danny,” she told him once, voice low and urgent. “Things like that… they stick to you. They come back.”

But Daniel had laughed, kissed her cheek, and slipped out to his car.

If anyone in the village had the nerve to stop him, they never showed it. The young can be frightening in their arrogance. And Daniel, with his dark eyes and careless grin, seemed untouchable.

At least, until the night when the crows decided enough was enough.

It was a damp October evening when Daniel set out. Mist clung low across the fields, softening hedgerows into shadows, and every breath on the wind smelled of rot and earth. The lane to Crow Corner was slick with fallen leaves, their colours lost to the night, pressed flat beneath the tyres of passing cars.

Daniel didn’t care for the weather, nor for caution. His music was loud, the thump of bass rattling the dashboard. He drummed his fingers on the wheel, the glow of his cigarette tip flaring in time with the beat.

He was restless, wired. It had been days since he’d caught one. Every time he tried, the crows seemed quicker, sharper, as if they knew him now. He’d missed three in a row last week and it gnawed at him. He told himself tonight would put it right. Tonight, he’d break his dry spell.

As he neared the bend, he slowed – not to be careful, but to savour it. Crow Corner was never quiet, never still. Even before he reached it, he heard them: the ragged chorus of cries, rising and falling like waves. His grin spread.

The headlights cut into the corner, the trees leaning overhead, their branches knitted into a crown of blackness. There they were, right on the tarmac, a scattering of shadows pecking at some unlucky fox. More perched in the branches above, their eyes glinting like beads in the glare.

Daniel tapped the wheel, foot twitching above the accelerator.

“Come on then,” he muttered. “Let’s see you scatter.”

He stamped his foot. The engine roared, the car lunged forward.

The crows didn’t move.

For a heartbeat, Daniel thought they hadn’t noticed him. But as the car drew closer, they lifted their heads in perfect unison. Dozens of black eyes fixed on him, not startled, not panicked – but steady. Waiting.

A shiver crawled across his skin. He pushed harder.

At the last second, they rose – but not away. They came at him.

The air was filled with wings, a furious beating, claws scraping across glass, feathers slapping the windscreen. Daniel swore, yanking at the wheel, blinded by the mass of bodies hammering against the car. The sound was deafening – not the usual scattered panic of birds, but a wall of rage, a storm of black.

The tyres skidded on wet leaves. The Ford lurched sideways, metal shrieking as it clipped the oak that marked the corner. The world exploded in glass and bark and pain.

For a moment, there was silence.

Smoke curled from the bonnet. The radio fizzled, then died. One headlight blinked against the ditch, throwing weak light across the tangle of branches.

Daniel’s body lay crumpled a few yards from the car, flung like a rag doll through the windscreen. Blood pooled beneath his temple, his chest rising faintly, raggedly. The smell of petrol mixed with the iron tang of blood, seeping into the night.

Above, the crows settled again, lining the branches as though nothing had happened. Only their eyes gleamed, catching the pale light, unblinking, endless.

And then, slowly, Daniel stirred.

Not his body. That stayed where it was, broken and limp on the ground. No, this was something else – a drifting, a pulling away, as though the breath that had left him refused to vanish.

He found himself rising, weightless, staring down at the wreckage below. The bent car. The ruined body. His ruined body.

Confusion clawed at him. He tried to scream, but no sound came. His arms – if he had arms – flailed uselessly. Still, the pull continued, higher, above the trees, into the cloud of crows that circled slowly overhead.

The murder welcomed him, wings brushing close, their voices loud and harsh in his ears. Yet beneath the caws, he thought he heard words – indistinct, but there, a whispering chorus.

Come down.

Join us.

His vision narrowed, his thoughts blurred. All he felt was the compulsion – an irresistible tug, dragging him not away, but down again. Down into blackness, down into hunger. Down into the murder.

Daniel’s thoughts were scrambled, his mind a whirlpool of panic and disbelief. He should have been dead; the windscreen, the oak, the blood… it all screamed it. And yet, he drifted, weightless, above the ruin of his body. Every instinct cried out to retreat, to flee, but no limbs obeyed. There were no limbs. Only a strange, pulling force, tugging him downward, toward the shattered remains he no longer recognised as himself.

The crows had settled in the trees again, their eyes catching the pale light from the moon, reflecting it like shards of glass. At first, he thought it was his imagination, that the shadows were flickering, but then he saw it clearly: they weren’t merely watching. They were judging. The rhythm of their calls was harsh, deliberate, a language older than any book, older than the lane itself.

Fear clawed at him. He tried to scream, to warn himself, to claw free of the force dragging him down… but there was no voice. Only thought, a thin thread of consciousness that trembled with horror. And yet, with that terror came a strange, inexorable compulsion, a beckoning that he could not refuse. He fell, not with gravity, but with the pull of something older, something that had waited a long time for him.

As he neared the ground, he saw it all at once: the broken body, the bent car, the spreading pool of blood. And there, at the edge, a single crow, picking with methodical patience at one pale eye. Daniel’s stomach lurched, his heart—or what he felt in its place—twisted with a terror he had never known. The creature raised its head, black beak glinting, and for a fleeting instant, he felt the world bend; a whisper of thought passed through him, not his own, but belonging to the murder above.

You will feed. You will serve. You will become part of what you once mocked.

The air seemed to thrum with centuries of memory, of life and death repeating itself at Crow Corner. Daniel understood, in that moment, that it was not mere chance that he had come here, nor mere misfortune. The corner had waited. The trees, the birds, the land itself — all of it had conspired, patient as stone, to collect what was owed. And now he owed.

Panic and revulsion warred within him as he fell closer, a ghostly extension of himself merging with the black-feathered shape above the corpse. He tried to resist, tried to pull back, but the will of the corner was stronger, older than his defiance, and the cawing around him became a chorus that echoed inside his skull. He felt himself change, feel the hunger, the cold precision of beak and claw. He could sense the body below, the brittle bones, the soft flesh, and the iron scent of blood that called to him.

The first contact was surreal — alien and horrifying. His consciousness recoiled as the beak pierced what was once his eye. Yet even in terror, a twisted understanding crept over him. This was the reckoning, the cycle of the place, the price for arrogance and cruelty. He was both himself and not, observer and participant, condemned to the flock, to Crow Corner, to the unending rhythm of life and death it commanded.

Daniel’s new consciousness shivered through feathers and bones not his own. He was no longer the boy who had laughed at flapping wings, nor the reckless driver who had treated life as a game. Every sense was sharpened, attuned to the world of black eyes and ragged calls, to the scent of carrion and the taste of iron in the wind.

Below, the broken body lay sprawled, pale and lifeless. The first beak dipped, precise, pulling at the flesh that had once been his own. Terror surged in what remained of his human mind, but it was no longer enough. Compulsion and instinct ruled. He joined the motion, swooping down, feeling the sharp thrill of each tear and tug, the strange sick satisfaction of survival within the murder.

Around him, the flock stirred, wings rustling like dry leaves, eyes glinting in silent approval. The corner had claimed its own, as it always did. Daniel’s laughter, once cruel and careless, had been replaced by a darker knowledge: this was no accident, no random misfortune. Crow Corner endured, patient and eternal, balancing life and death with an impartial, feathered hand.

And as the moon rose over the trees, silvering the slick lane, the crows fed, watching, waiting. The young man’s spirit was gone, subsumed into the flock, a single pulse within the rhythm of Crow Corner. The wind whispered through the branches, carrying the caws across the lane, a warning and a promise to all who dared the blind bend.

By morning, the lane would be quiet again. But the trees, the blood, and the endless eyes above would remember.

Crow Corner was eternal.

 

Crow Corner

The bend in the lane had always unsettled Daniel, long before he ever thought to challenge it. Locals called it Crow Corner in hushed tones, with a sort of grudging respect, and he understood why. Even on a bright morning, when the sun slanted through the trees, it felt wrong — the hedgerows crowded close, their shadows thick and tangled across the tarmac, as if the corner waited, and always would, the air heavy with something he could not name. The scent of wet leaves and rotting carrion hung faintly, metallic and sweet, curling into the corners of his mind like smoke.

From the very first moment he’d driven past, he had sensed the watching. Not just the branches swaying in the wind, not just the occasional rabbit scuttling through the undergrowth, but something more deliberate, eyes following, waiting. He told himself it was imagination, that the countryside played tricks on the mind, but a cold shiver down his spine argued otherwise.

By twenty-one, Daniel had grown reckless. The inherited Ford Focus was barely more than clattering metal and stubborn gears, yet it gave him a power he had never known elsewhere. The corner, he decided, was his stage. The first crow he struck, flailing beneath the tyres, had made him laugh — an abrupt, hollow sound that had startled even himself. That shock had curdled into thrill, and the game had begun.

He kept a tally in a battered notebook tucked into the glove compartment. Eleven first year. Twenty-four by the second. Each number felt like mastery, proof he was untouchable. Yet beneath the bravado, unease had begun to grow — a dark seed lodged behind his ribs. At night, he dreamed of black shapes, of eyes too bright, of caws threading through his pulse, whispering warnings he could not quite decipher.

Crow Corner itself was oppressive. The oaks leaned close, their bark jagged like stone, branches twisting overhead, casting shadows that seemed to slither with intent. Fallen leaves carpeted the tarmac, slick and brown, the smell of decay sweet and cloying. Even in daylight, the lane seemed to bend unnaturally, forcing him toward the trees. At dusk, the mist rolled low, ghostly white, blurring the line between road and hedgerow, until the corner felt less like a road and more like a waiting presence.

Despite it all, Daniel pressed on. The thrill called, irresistible. When the first birds stirred at the headlights, their wings flapping, their black eyes gleaming, he felt both triumph and unease. They rose, not scattered, not afraid, but organized, flapping in a wall that seemed to pulse with his own heartbeat.

Shortly after, the collision.

Metal screamed. Glass shattered. Daniel was hurled through the windscreen, a ragdoll in a nightmare. Pain, sharp and immediate, blossomed across him. The world spun. Silence followed. Then the mist.

And he drifted, weightless, beyond his body, watching the ruin of what had once been him.

Above, the crows resettled, wings folding, eyes glinting like polished stones. They waited, patient, eternal. Daniel’s mind reeled. Panic tore through him, disbelief and nausea. He tried to scream, but no sound emerged. His body on the ground lay broken and still, but he… he was somewhere else, hovering, drawn downward by an irresistible pull.

Join us, whispered the rhythm of wings, threaded with voices older than the trees. You will feed. You will serve. You will become part of what you mocked.

The pull consumed him. He swooped, instinct and compulsion overriding every human thought. The first beak met the pale, lifeless flesh. Terror and nausea collided with a shock of exhilarating power. Daniel’s mind twisted, struggling to hold onto the memory of what he had been, what he had done. It was futile. The corner had claimed him.

The trees leaned closer. Mist swirled in the silver light of the moon. The lane seemed narrower, alive with movement, the black shapes above circling in deliberate rhythm. Daniel’s panic gave way to understanding — grotesque, incomprehensible, and absolute. The corner was no mere place. It was patient, sentient, eternal. And it had waited for him.

His arrogance, his laughter, his cruelty dissolved into the rhythm of the murder. He became part of the flock, his consciousness threaded into the pulse of the crows. One of them tilted its head, black eye glinting in moonlight, the first act of judgment complete. Daniel understood, with a sickening clarity, that this was not punishment in the petty sense. This was balance. Life, death, predator, prey, arrogance, humility — all exacted with the inexorable patience of the corner.

By morning, the lane would appear empty, peaceful even, as if nothing had happened. But Crow Corner remembered. The trees, the mist, the blood, the endless black eyes above — all held memory. And one more soul, once human, now forever part of the cycle, fed the legacy of the place.

The bend waited.
Crow Corner waited, and would always wait.

An original short story by Andrew Scaife
© Andrew Scaife, 2026. All rights reserved.