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The Doll at Platform Five (Mild Horror)

You get used to seeing the same things on the morning train. Same faces, same conversations, same bloke spilling coffee on his tie before we’ve even left the platform. But that morning, something different caught my eye, and my nose.

There was this faint smell in the carriage, like smoke, or maybe burnt dust off a radiator. It was difficult to place. It wasn’t like the typical smoke you get from a fire. It just seemed unusual. Nobody else seemed to notice. A woman across from me was laughing into her phone, and the fella next to her was hammering his keyboard like it owed him money.

I sniffed again. It was there, all right. Acrid, but oddly old, not the clean, chemical kind of smoke you get nowadays. Something heavier, like coal or charred cloth. Then, just as quick as it came, it was gone.

I couldn’t see anything out of the ordinary, and no-one else seemed concerned, so I just put it down to one of those things.

As the train slowed into the station, I glanced past my reflection and up at the big glass hotel that sits just beyond the tracks. In one of the second-floor windows stood what looked like a child-sized doll. Pale face, expressionless, perhaps a little sad. It was dressed in old-fashioned clothes, Victorian, I guessed. Its head was forward, but looking over me and the carriage I was in. It seemed to be looking out across the city.

It was the sort of doll that definitely belonged in a museum, not a hotel. It was so out of place, but I couldn’t stop staring. I couldn’t help wondering why someone would take something like that to a hotel. By the time the train stopped and I stepped onto the platform, I looked up again. The doll was gone.

Next morning, there it was again. Same window, same doll, motionless. Nobody else seemed to notice. Too busy scrolling through newsfeeds and emails to look out of the window.

Then suddenly something inside me dipped, like stepping off a kerb you didn’t see. My pulse thudded in my ears, and there was that whiff of smoke again, curling at the back of my throat, dry and unpleasant.

It stuck in my head all morning. Over lunch, I started poking about online. The hotel’s website was all brick, glass, and chrome, all “boutique luxury” and “city views”. I wanted to see what had stood there before. A few clicks later, on one of those old map archives, I found it. The Slate Wharfe Workhouse, right by the old cut of the Wharfe, just south of the railway lines.

A miserable place, by the sounds of it. I found a grainy photograph. It looked miserable too. Soot-blackened brick, barred windows, smokestacks in the distance. Then I came across a snippet from a 1908 newspaper: “Fire at Slate Wharfe Workhouse. Many Saved by Workhouse Labourer.”

The article was short. They thought the blaze started in the laundry. Most of the children were dragged out by a labourer who went back inside again and again until the roof came down. The report said he’d tried to reach the last child, a girl seen trapped at an upstairs window, banging at the barred window as the flames took hold. Her body was never recovered.

That night, I dreamed of heat and smoke, and child’s hands pressing at the windows.

Next morning, I made sure to sit by the window in the carriage again. As we slowed past the hotel, there she was again, the doll, staring out. I lifted my phone and took a picture. When I looked at it later, I felt something cold tighten in my chest.

The doll was there, yes… but behind it, faint in the reflection of the glass, was the outline of a man. His face was partly lost in the glare, yet the shape of it, the hair, the eyes, the jaw, it looked horribly familiar.

It looked like me.

I don’t know what to make of it. But sometimes, when the train brakes before the platform and the air smells faintly of hot metal, I catch that old taste of smoke in my mouth… and once, I swear, I coughed up a fleck of soot.

And this morning, as I sat there trying not to look at the window, my phone buzzed with a new photo, no message, no sender.

It was my photo of the doll.

Only this time, its head had turned… and it was looking straight at me.

An original short story by Andrew Scaife
© Andrew Scaife, 2026. All rights reserved. 

The End of the Invisible Audience

For years, almost 35 years, every time I sat down to write, I wasn't alone. The room was crowded with invisible people: the boss who was vertually dictating what I should write, the client who might get offended with the wrong word or phrase, the prospect I didn't want to scare off, and the Google (and all the social platforms) algorithm that demanded its pound of flesh in optimised keywords and the right hashtags.

I spent more time thinking about the consequences of virtually every single word and sentence than the point of writing it sometimes. Everything had to be sanitised, perfectly structured, and professional to a fault. It was usually writing by committee, even when the committee was just in my head.

Fuck that.

One of the biggest realisations in moving to this "Anti-Social" setup is how much energy I was wasting on people who don't actually exist. This isn't a marketing asset anymore. It’s not a lead-generation tool. It’s just a digital garden. It's me saying what I want to say, in the way I want to say it.

Stripping away the structured copy, certain posts or content having to be a particular length, the SEO, the Meta tags, thinking about imagery and the copywriters templates has given me something I’d forgotten I needed: the freedom to just write what I want. If a post is too short, fine. If it’s too blunt, even better. If it upsets someone who was looking for a "polished brand experience," they’re in the wrong place anyway.

From here on out, the only "audience" I’m writing for is myself. If you find something here that resonates, great, pull up a chair. But I’m done performing for the algorithm. I’m just going to say it as it is and let the chips fall where they may.

It’s liberating to finally stop caring.

Can We Get People Voting Again?

So, I'm standing as a Liberal Democrat paper candidate this May in Horbury and South Ossett. I’ve been looking back at previous election results, and what I found really surprised me. When the final votes are counted in local elections, the numbers often tell a heartbreaking story. It isn’t just about which party wins or loses; it’s the fact that, so often, only about a third of our community shows up. That means nearly two-thirds of our neighbours effectively have no say in how their local area is run.

Since I uncovered this last week, I’ve spent a lot of time thinking about that silent majority. I refuse to believe that the people who stay home don’t care. I know they care. They care about the state of our roads and pavements, bin collections, fly-tipping, the quality of our children’s education, and the dignity of social care for our elderly. Talking to people about this, there is a very strong view that politics is just something that happens to us, rather than something we can actually shape.

Local Politics Isn’t Broken ... It’s Waiting for You

I hear it all the time: "Why bother? My vote can't influence anything!" But that’s just not true. From transport and infrastructure to the very heart of our local economy, local authorities decide how millions of pounds of our money is spent. When we don't vote, we aren't "protesting", we are simply handing over a blank cheque to someone else to make those decisions for us.

Let’s just address this very dangerous myth that one vote doesn’t matter. In local elections, margins are often razor-thin. A single vote really does have the power to make a huge difference. If we take Horbury and South Ossett as an example, in the 2021 local elections, there were only 45 votes between the winner and second place! That is a handful of households. That is one street of people deciding the future for everyone else.

The Candidate Problem

Looking at the local landscape again, Labour has held control here since 2021, yet I don’t see their candidates out there promoting their achievements (perhaps because there aren't many) or even their party’s policies. To me, that’s scary. Right now in Westminster, the Labour Party and Keir Starmer are in hot water over the Peter Mandelson situation, and by staying silent locally, they are risking a knee-jerk reaction from our community. I’m personally worried that if people feel ignored by the left, they might end up looking too far to the right out of sheer frustration.

Candidates need to provide clear information because it pushes the local agenda and boosts turnout significantly. We don't need more "politics-as-usual"; people need a reason to believe their voice actually counts.

I am standing because I want to lower the barrier between the "political elite" and the real world. I want to show that local government isn't just some "minority interest" for people in suits; it is the direct engine room of our quality of life and our local spending power. This May, I'm hoping that the local electorate across the country don't let the silence decide their future.

Quick Microwave Protein Dukan Bread

I adore bread, but sometimes I know I need to cut down my consumption and eat something a bit healthier.

This is one of those handy little recipes that takes hardly any effort and gives you a quick, high-protein bread alternative in just a few minutes.

The basic idea works well, but if you find it tastes a little too eggy, a few small tweaks can make it feel more like bread and less like a microwaved omelette.

Ingredients

  • 3 dessertspoons of oat bran
  • 1 dessertspoon of plain yogurt
  • 1 dessertspoon of milk
  • 1 egg
  • 1/2 teaspoon of baking powder
  • A small pinch of salt

Method

  1. Add all the ingredients to a mug, ramekin, or small microwave-safe bowl.
  2. Mix well until the batter is smooth.
  3. Microwave for 2 minutes to 2 minutes 30 seconds, until nicely set. I use a shallow microwave-safe dish so it cooks in a good 'slice' shape
  4. Leave it to stand for 1 to 2 minutes before turning it out. This helps it firm up and improves the texture.
  5. Slice if needed, then grill both sides until lightly browned.
I started to find grilling after microwaving a bit of a pain, so I developed a high protein chickpea bread which I now prefer.

Easy Ways To Improve The Flavour

  • Add a pinch of black pepper for a more savoury finish.
  • Try a little garlic powder or onion powder to mask any egginess.
  • A small sprinkle of grated cheese works well if you want more flavour

Approximate Nutrition Per Bread

  • Calories: around 130 to 140 kcal
  • Protein: around 10 to 11g
  • Carbohydrates: around 13 to 15g
  • Fat: around 6 to 7g
  • Fibre: around 2 to 3g

Nutrition is approximate and will vary depending on the yogurt, milk, and exact spoon sizes used.

Serving Idea

This works nicely as a quick breakfast bread, toasted sandwich base, or something to have alongside eggs, cottage cheese, or a bit of peanut butter if you want to push the protein up further. As a vegetarian, I like to have this bread with Quorn Sausages or grilled Quorn Fillets for a filling lunch.

The Decisive Moment

I took this photo of a clownfish at the Jewel of the Sea Aquarium in SeaWorld, Orlando, back in April 2011. Just as I hit the shutter, a regal tang swam into frame.

It was only later, when I looked back at the image, that it clicked. I’d unintentionally captured Marlin and Dory (yes of Finding Nemo fame) together.

People often talk about Henri Cartier-Bresson and his idea of “The Decisive Moment”... that split second where everything comes together and you press the shutter with intent.

This wasn’t that.

This was pure luck. And maybe that’s what makes it even better.

Original photo

Original photo by Andrew Scaife

Cleaned up by AI

Cleaned up by AI



When Rosie met Sammy (Kids)

years ago, when my daughters were very young, I used to write little stories about the things they loved. This is one of them about our adorable (and sometimes slightly chaotic) family cat.

Suitable for ages 4 to 8 (read-aloud).

Story 2 of 2 in the “Rosie the Cat” series

When Rosie Met Sammy

Rosie is a small black and white cat. She lives in a big house and is looked after by two little girls.

Emily and Rebecca loved looking after Rosie, and each night they fed her and let her go outside to play.

One night, after Rosie had eaten her supper, she walked down the garden path, jumped onto the wall at the bottom of the garden, and settled down to sleep. All was quiet… well, almost.

Rosie could hear someone crying.

She looked up and down. She saw nothing. She looked left and right, and there, at the end of the wall, she saw a small squirrel sitting with its head in its paws, crying.

Rosie quietly walked over to the poor, sobbing animal.

“Hello,” said Rosie.

“Hello,” sobbed the squirrel.

“I’m Rosie,” said Rosie.

“I’m Sammy,” answered the squirrel.

“What’s the matter, Sammy?” asked Rosie.

“I’m lost,” replied Sammy, and he began to cry again. “I was playing, then exploring, and now I’m lost. I can’t find my way home.”

Rosie looked around to try to help her new friend.

“Do you live in these bushes?” she asked, trying to help.

Sammy looked at the bushes in the garden. They looked dark and prickly.

“No,” answered Sammy.

Rosie looked around again.

“Do you live in the shed?” she asked, looking towards the shed at the bottom of her garden.

Sammy looked at the shed. It looked warm, dry, and friendly, but it wasn’t where he lived.

“No,” the sad squirrel answered again.

“I live in a tree,” said Sammy. “In a drey.”

“A drey?” questioned Rosie.

“Yes, a drey is the place where squirrels live. They are dry, comfortable, and warm, and they are built high in trees.”

Suddenly, somewhere in the distance, a dog barked, giving Rosie and Sammy a fright.

“I don’t like it here,” said Sammy.

“Can you remember anything about where your drey is?” asked Rosie.

“Well,” said Sammy, thinking hard, “it’s in a tree. In fact, there are a lot of trees near it. It’s near a place where children play, and there is a small stream nearby.”

Rosie beamed a huge smile.

“I think I know where that is, Sammy.”

“Really? Is it far away?” asked Sammy, now smiling too.

“Not very far at all,” said Rosie.

They jumped down from the garden wall, and Rosie led the way. “We’ll stick to the shadows,” she said quietly, “and keep away from the street lights.”

They moved quickly down the road, staying close to the hedges, before darting into a big bush at the end. Cars passed by, their headlights sweeping across the road, but Rosie and Sammy stayed perfectly still, hidden in the darkness.

“This way,” whispered Rosie.

They slipped down the side of a house and into a back garden. Rosie peered ahead. The coast was clear.

She leapt over a fence, with Sammy hopping close behind, and they dropped down on the other side.

In front of them was a steep bank, and below it, a small stream. Across the stream, they could see a wooded area.

Rosie spotted a fallen branch nearby.

“Over here, Sammy,” she whispered.

Together, they hurried across the branch, balancing carefully as they crossed the stream. Then they climbed up the bank on the other side and pushed through thick, dense hedges.

When they emerged, Sammy’s eyes lit up.

Across the grassy clearing in front of them, and beyond a small childrens play area was a cluster of tall trees.

“Rosie, that’s it… I’m home!” he squeaked with delight.

Sammy gave Rosie a quick, grateful hug before racing across the grass, past a climbing frame and a set of swings, and up the nearest tree. High above, Rosie could see another squirrel rush forward and wrap him in a relieved hug.

Sammy turned, waved down at Rosie, and then disappeared into his drey.

Rosie sat for a moment, watching the tree, pleased that her new friend was safe.

Then, with a flick of her tail, she turned and quietly made her way back home, ready for a well-earned sleep.

An original story by Andrew Scaife (written in 2006)
© Andrew Scaife, 2006–. All rights reserved.

Rosie and the Playtime (Kids)

years ago, when my daughters were very young, I used to write little stories about the things they loved. This is one of them about adorable (and sometimes slightly chaotic) family cat.

Suitable for ages 4 to 8 (read-aloud).

Story 1 of 2 in the “Rosie the Cat” series

Rosie and the Playtime

Rosie loved the little girls that she lived with very much, but Emily and Rebecca were a little too bouncy and active for her sometimes, and all Rosie wanted to do most of the time was sleep.

Rosie loved to sleep and would spend large amounts of the day snoozing in a warm corner of the house, or under a particularly fragrant bush in the garden, and she never liked to have her sleep disturbed.

On this particular Sunday morning, Rosie had got herself settled nicely in front of the warm fire when she heard the unmistakable sound of the girls running downstairs, shouting her name.

“Rosie, Rosie, come out and play!” they both shouted together.

Rosie lifted her head, opened her eyes slightly, then simply settled down again as she listened to the laughter of the girls getting further and further away.

It seemed to Rosie that she had just got her head down again when Emily sat alongside her and started to stroke her.

“Come on Rosie,” whispered the excited little girl, “come and play with your toy mouse.”

Rosie was then aware of her favourite toy being galloped along the floor and all over her tired body. Rosie just rolled further onto her side and covered her eyes with her paws, stretching out her long, slender body for a good old stretch, before curling back into a ball.

But the girls were not going to give up that easily.

Rebecca leaned in close and whispered, “If you come and play, Rosie, you can have some extra treats later.”

One eye slowly opened.

Rosie lifted her head again, this time a little higher. Treats were something Rosie understood very well.

With a long, slow stretch, she finally stood up, flicked her tail, and began to walk quietly towards the back door. The girls looked at each other, trying to stay quiet, but their excitement bubbled over as they followed her outside.

In the garden, Rosie came alive.

She darted across the lawn, chasing after sticks the girls dragged along the grass. She pounced at invisible creatures only she could see, leaping high into the air before landing softly and racing off again. The girls chased her, laughing and calling her name, running back and forth across the garden.

For a while, Rosie forgot all about her nap.

Eventually, though, Rosie slowed. She stopped, looked around… and realised the girls were no longer chasing her.

Curious, she padded back towards the house.

The back door was still open. Rosie slipped inside and made her way into the living room.

There, curled up on the sofa, were Emily and Rebecca, fast asleep. Their playtime had worn them out completely.

Rosie paused for a moment, then jumped up gently between them. She turned in a small circle, settled herself comfortably, and with a soft purr, closed her eyes.

And so, after all that excitement, she finally got what they wanted… a nice, peaceful sleep.

An original story by Andrew Scaife (written in 2006)
© Andrew Scaife, 2006–. All rights reserved.

Why Do Squirrels Have Bushy Tails? (Kids)

years ago, when my daughter Rebecca was 14, we started writing stories together. I wrote a few children's stories at the time, and this is one of them.

Suitable for ages 4 to 8 (read-aloud).

Part 3 of 3 in the “Why Does It Work Like That?” series

Why Do Squirrels Have Bushy Tails?

When squirrels first appeared on the planet, they looked pretty similar to how they do today. The major difference was their tails.

While their tails were still made of hair, they were much thinner, rather like a rat’s tail.

You may not know this, but squirrels are messy creatures. Inside their homes, they tend to leave twigs, moss, and the shells of nuts and acorns all over the place, and since the beginning of time, this has been a problem for them.

Until one day, when one enterprising young squirrel decided to clean up his home. He found that brushing away the debris and dirt was difficult with his little arms and feet, and it left him very tired, so he decided to use his tail as a broom instead.

Now, he found that swishing his tail around was much easier, but with such a thin tail, the task still wasn’t an easy one to accomplish. Still, he carried on, and over the course of the day, he swished his tail around so much that something rather amazing started to happen. The hairs began to spring out, and his tail became bushier and bushier, and the sweeping became much easier.

At first, all the other squirrels laughed at this funny-looking youngster, but they quickly stopped when they saw how wonderfully clean his home was, and exactly how it got that way.

And that, dear friend, is why a squirrel’s tail is bushy, and why today squirrels have very tidy homes.

An original story by Andrew Scaife (written in 2013)
© Andrew Scaife, 2013–. All rights reserved.

Why Do Fish Swim? (Kids)

years ago, when my daughter Rebecca was 14, we started writing stories together. I wrote a few children's stories at the time, and this is one of them.

Suitable for ages 4 to 8 (read-aloud).

Part 2 of 3 in the “Why Does It Work Like That?” series

Why Do Fish Swim?

It’s a little-known fact that when fish first evolved, they stood upright on their tails and walked around much like we do today. A big problem for fish, though, was that they couldn’t wear shoes and socks on their tails, so walking on rough or hot ground was very uncomfortable. Because of this, they all walked around with rather grumpy looks on their faces.

One day, one small fish had really had enough of walking and hurt himself, so he sat in a hole in the path and sobbed. His tail hurt so much, and the more he thought about how much it hurt, the more upset he became. The more upset he got, the more he sobbed and cried.

After a while, his crying started to attract a large group of fish, who gathered around the hole to see what the matter was. Nobody could make him happy, so he became sadder and sadder, and cried more and more.

All the time he was crying about his poor, aching tail, the little hole began to fill up with his tears, so much so that the water rose up to his face. The little fish looked around and saw the huge crowd that had gathered. Suddenly, he felt very embarrassed. He dunked his head under the puddle of tears and kicked his tail to try to get away from everyone.

To his amazement, and to the amazement of all the other fish watching, the little fish glided quickly and effortlessly through the water. He kicked again with his tail and swam around faster and faster.

And to this day, while they could still walk on land on their tails if they wanted to, fish choose to swim, because it’s much easier.

An original story by Andrew Scaife (written in 2013)
© Andrew Scaife, 2013–. All rights reserved.

Why Is The Sky Blue? (Kids)

years ago, when my daughter Rebecca was 14, we started writing stories together. I wrote a few children's stories at the time, and this is one of them.

Suitable for ages 4 to 8 (read-aloud)

Part 1 of 3 in the “Why Does It Work Like That?” series

Why Is The Sky Blue

When the Goddess first created the planet that we all live on today, she was so proud of the rich tapestry of colours and textures she had woven into the land that, when it came to choosing what the sky would look like, she had no doubt at all. The sky should be a reflection of the beauty she saw in the hills, valleys, and fields, so she made it green.

It wasn’t long, however, before the other gods and goddesses pointed out that, with the land being so fertile and green, and the sky being such a beautiful hue of green too, it was often very difficult to determine where the sky ended and the land began. There was no horizon.

The Goddess thought long and hard about this problem. She loved the land she had created so much that the sky needed to somehow reflect this beauty.

After a few days and nights trying to decide on the best thing to do, she finally had a most magical idea.

She set to work immediately on creating the most beautiful sky. She used the brightest and best blue that she could lay her hands on, and dotted this new blue sky with deep, fluffy white clouds.

When she had finished, all the other gods and goddesses applauded what she had done and agreed that, in this new world, her work was the best.

An original story by Andrew Scaife (written in 2013)
© Andrew Scaife, 2013–. All rights reserved.

I Am Drinking Less!

I thought I’d share this little personal insight.  I review beers, so if you fancy a look, here’s my beer review channel and my beer review website

As you can imagine, reviewing beer does tend to involve drinking a fair bit of it.

At the start of this year, I made a conscious decision to cut back. I’ve just checked my numbers*

2026 YTD: 89 drinks

By this time last year: 148 drinks

That’s a 39.86% reduction... which I’ll happily take as a win so far this year.

*Every time I have a drink, I log it on Untappd (yes, really).

Crow Corner (Mild Horror)

The bend in the lane was known to every soul in the parish, though few spoke its name with ease. On the maps it was nothing more than a sharp dogleg between two hedgerows, but to locals it was Crow Corner. You could hear it before you reached it: the harsh, broken cries that filled the air, a chorus of hunger and accusation.

The trees that grew there seemed older than the land itself, oaks with limbs thick as a man’s torso, twisting low and heavy across the road. In summer, their branches knotted into a roof of green and shadow. In winter, they loomed like blackened skeletons, their boughs brittle with the weight of hundreds of birds.

The crows never left. From dawn till dusk they perched above the road, hopping across the branches, tilting their heads to stare down at passers-by with glassy, unblinking eyes. If you stopped beneath the canopy, the racket of wings and calls was deafening, as though the flock meant to drown out your thoughts. And the smell – even in the chill of January – was unmistakable: the sweet, metallic taint of rotting meat.

Few places collected death so readily. The corner was blind, its angles cruel, and the narrow road funnelled cars into its jaws without mercy. Every month or two, a fox, a badger, a deer, even the odd barn owl… all were struck, thrown into the ditch, and left for the birds. That was why they gathered, in their hundreds, always waiting.

There were stories too. Some said the crows were not natural at all, but souls trapped there, spirits of the wronged and restless. Others claimed that if you stood at midnight in the centre of the bend, you could hear whispers woven into the caws, voices of those who had died at the wheel.

Farmers spat when they passed it. Schoolchildren dared one another to cycle through, but none lingered long. Even the parish vicar once remarked that he felt watched whenever he travelled that way, as though the trees themselves had eyes.

Yet the place endured, as it always had, quiet but for its ceaseless choir of black wings.

And still, there were those who tempted fate.

Daniel’s name was known in the village, though few cared for it. He was simply “that lad with the car.” At twenty-one, he had inherited his uncle’s battered Ford Focus, and with it a sense of power far larger than the engine deserved.

Daniel had never cared much for books or steady work. He held down odd jobs here and there – labouring in summer, stacking shelves in winter – but nothing that lasted. What mattered was the road, the open stretch of tarmac where he could stamp his foot on the accelerator and feel, for a few fleeting seconds, like the master of something.

He wasn’t cruel by accident; it was part of him, stitched into his bones. When he first clipped a crow on the lane outside the village, the burst of feathers and the crack of bone had made him laugh out loud. He told his mates later, pint in hand at the Dog and Duck, how the bird had flailed, how it had bounced. Some had winced, others had chuckled nervously, but Daniel had grinned at their discomfort.

That was the beginning of his game.

Crow Corner offered endless sport. The birds gathered in their dozens, sometimes hundreds, spread across the tarmac to pick at the latest carcass. Daniel would gun the car round the bend, leaning into the wheel, teeth clenched, eyes fixed on the black mass ahead. Most times they lifted away, flapping in panic at the last second. But not always. Feathers struck glass; bodies crunched beneath tyres. Each hit gave him a thrill that no pint, no woman, no wage packet ever could.

He kept count, too. In a battered notebook shoved in the glove compartment, he tallied his kills with childish glee. Eleven in his first year. Twenty-four by the second. He took to boasting that the crows were learning his name, that they feared him now.

In the snug of the pub, the old men shook their heads and muttered. “He’ll get his comeuppance, that one,” said George Talbot, who had farmed the fields by Crow Corner since before the lad was born. But Daniel only smirked, sipping his lager. “Birds are daft, George. Plenty more where they came from.”

His mother fretted, as mothers do. She’d seen the scratches on the bonnet, the dried blood along the wheel arches. “It isn’t right, Danny,” she told him once, voice low and urgent. “Things like that… they stick to you. They come back.”

But Daniel had laughed, kissed her cheek, and slipped out to his car.

If anyone in the village had the nerve to stop him, they never showed it. The young can be frightening in their arrogance. And Daniel, with his dark eyes and careless grin, seemed untouchable.

At least, until the night when the crows decided enough was enough.

It was a damp October evening when Daniel set out. Mist clung low across the fields, softening hedgerows into shadows, and every breath on the wind smelled of rot and earth. The lane to Crow Corner was slick with fallen leaves, their colours lost to the night, pressed flat beneath the tyres of passing cars.

Daniel didn’t care for the weather, nor for caution. His music was loud, the thump of bass rattling the dashboard. He drummed his fingers on the wheel, the glow of his cigarette tip flaring in time with the beat.

He was restless, wired. It had been days since he’d caught one. Every time he tried, the crows seemed quicker, sharper, as if they knew him now. He’d missed three in a row last week and it gnawed at him. He told himself tonight would put it right. Tonight, he’d break his dry spell.

As he neared the bend, he slowed – not to be careful, but to savour it. Crow Corner was never quiet, never still. Even before he reached it, he heard them: the ragged chorus of cries, rising and falling like waves. His grin spread.

The headlights cut into the corner, the trees leaning overhead, their branches knitted into a crown of blackness. There they were, right on the tarmac, a scattering of shadows pecking at some unlucky fox. More perched in the branches above, their eyes glinting like beads in the glare.

Daniel tapped the wheel, foot twitching above the accelerator.

“Come on then,” he muttered. “Let’s see you scatter.”

He stamped his foot. The engine roared, the car lunged forward.

The crows didn’t move.

For a heartbeat, Daniel thought they hadn’t noticed him. But as the car drew closer, they lifted their heads in perfect unison. Dozens of black eyes fixed on him, not startled, not panicked – but steady. Waiting.

A shiver crawled across his skin. He pushed harder.

At the last second, they rose – but not away. They came at him.

The air was filled with wings, a furious beating, claws scraping across glass, feathers slapping the windscreen. Daniel swore, yanking at the wheel, blinded by the mass of bodies hammering against the car. The sound was deafening – not the usual scattered panic of birds, but a wall of rage, a storm of black.

The tyres skidded on wet leaves. The Ford lurched sideways, metal shrieking as it clipped the oak that marked the corner. The world exploded in glass and bark and pain.

For a moment, there was silence.

Smoke curled from the bonnet. The radio fizzled, then died. One headlight blinked against the ditch, throwing weak light across the tangle of branches.

Daniel’s body lay crumpled a few yards from the car, flung like a rag doll through the windscreen. Blood pooled beneath his temple, his chest rising faintly, raggedly. The smell of petrol mixed with the iron tang of blood, seeping into the night.

Above, the crows settled again, lining the branches as though nothing had happened. Only their eyes gleamed, catching the pale light, unblinking, endless.

And then, slowly, Daniel stirred.

Not his body. That stayed where it was, broken and limp on the ground. No, this was something else – a drifting, a pulling away, as though the breath that had left him refused to vanish.

He found himself rising, weightless, staring down at the wreckage below. The bent car. The ruined body. His ruined body.

Confusion clawed at him. He tried to scream, but no sound came. His arms – if he had arms – flailed uselessly. Still, the pull continued, higher, above the trees, into the cloud of crows that circled slowly overhead.

The murder welcomed him, wings brushing close, their voices loud and harsh in his ears. Yet beneath the caws, he thought he heard words – indistinct, but there, a whispering chorus.

Come down.

Join us.

His vision narrowed, his thoughts blurred. All he felt was the compulsion – an irresistible tug, dragging him not away, but down again. Down into blackness, down into hunger. Down into the murder.

Daniel’s thoughts were scrambled, his mind a whirlpool of panic and disbelief. He should have been dead; the windscreen, the oak, the blood… it all screamed it. And yet, he drifted, weightless, above the ruin of his body. Every instinct cried out to retreat, to flee, but no limbs obeyed. There were no limbs. Only a strange, pulling force, tugging him downward, toward the shattered remains he no longer recognised as himself.

The crows had settled in the trees again, their eyes catching the pale light from the moon, reflecting it like shards of glass. At first, he thought it was his imagination, that the shadows were flickering, but then he saw it clearly: they weren’t merely watching. They were judging. The rhythm of their calls was harsh, deliberate, a language older than any book, older than the lane itself.

Fear clawed at him. He tried to scream, to warn himself, to claw free of the force dragging him down… but there was no voice. Only thought, a thin thread of consciousness that trembled with horror. And yet, with that terror came a strange, inexorable compulsion, a beckoning that he could not refuse. He fell, not with gravity, but with the pull of something older, something that had waited a long time for him.

As he neared the ground, he saw it all at once: the broken body, the bent car, the spreading pool of blood. And there, at the edge, a single crow, picking with methodical patience at one pale eye. Daniel’s stomach lurched, his heart—or what he felt in its place—twisted with a terror he had never known. The creature raised its head, black beak glinting, and for a fleeting instant, he felt the world bend; a whisper of thought passed through him, not his own, but belonging to the murder above.

You will feed. You will serve. You will become part of what you once mocked.

The air seemed to thrum with centuries of memory, of life and death repeating itself at Crow Corner. Daniel understood, in that moment, that it was not mere chance that he had come here, nor mere misfortune. The corner had waited. The trees, the birds, the land itself — all of it had conspired, patient as stone, to collect what was owed. And now he owed.

Panic and revulsion warred within him as he fell closer, a ghostly extension of himself merging with the black-feathered shape above the corpse. He tried to resist, tried to pull back, but the will of the corner was stronger, older than his defiance, and the cawing around him became a chorus that echoed inside his skull. He felt himself change, feel the hunger, the cold precision of beak and claw. He could sense the body below, the brittle bones, the soft flesh, and the iron scent of blood that called to him.

The first contact was surreal — alien and horrifying. His consciousness recoiled as the beak pierced what was once his eye. Yet even in terror, a twisted understanding crept over him. This was the reckoning, the cycle of the place, the price for arrogance and cruelty. He was both himself and not, observer and participant, condemned to the flock, to Crow Corner, to the unending rhythm of life and death it commanded.

Daniel’s new consciousness shivered through feathers and bones not his own. He was no longer the boy who had laughed at flapping wings, nor the reckless driver who had treated life as a game. Every sense was sharpened, attuned to the world of black eyes and ragged calls, to the scent of carrion and the taste of iron in the wind.

Below, the broken body lay sprawled, pale and lifeless. The first beak dipped, precise, pulling at the flesh that had once been his own. Terror surged in what remained of his human mind, but it was no longer enough. Compulsion and instinct ruled. He joined the motion, swooping down, feeling the sharp thrill of each tear and tug, the strange sick satisfaction of survival within the murder.

Around him, the flock stirred, wings rustling like dry leaves, eyes glinting in silent approval. The corner had claimed its own, as it always did. Daniel’s laughter, once cruel and careless, had been replaced by a darker knowledge: this was no accident, no random misfortune. Crow Corner endured, patient and eternal, balancing life and death with an impartial, feathered hand.

And as the moon rose over the trees, silvering the slick lane, the crows fed, watching, waiting. The young man’s spirit was gone, subsumed into the flock, a single pulse within the rhythm of Crow Corner. The wind whispered through the branches, carrying the caws across the lane, a warning and a promise to all who dared the blind bend.

By morning, the lane would be quiet again. But the trees, the blood, and the endless eyes above would remember.

Crow Corner was eternal.

 

Crow Corner

The bend in the lane had always unsettled Daniel, long before he ever thought to challenge it. Locals called it Crow Corner in hushed tones, with a sort of grudging respect, and he understood why. Even on a bright morning, when the sun slanted through the trees, it felt wrong — the hedgerows crowded close, their shadows thick and tangled across the tarmac, as if the corner waited, and always would, the air heavy with something he could not name. The scent of wet leaves and rotting carrion hung faintly, metallic and sweet, curling into the corners of his mind like smoke.

From the very first moment he’d driven past, he had sensed the watching. Not just the branches swaying in the wind, not just the occasional rabbit scuttling through the undergrowth, but something more deliberate, eyes following, waiting. He told himself it was imagination, that the countryside played tricks on the mind, but a cold shiver down his spine argued otherwise.

By twenty-one, Daniel had grown reckless. The inherited Ford Focus was barely more than clattering metal and stubborn gears, yet it gave him a power he had never known elsewhere. The corner, he decided, was his stage. The first crow he struck, flailing beneath the tyres, had made him laugh — an abrupt, hollow sound that had startled even himself. That shock had curdled into thrill, and the game had begun.

He kept a tally in a battered notebook tucked into the glove compartment. Eleven first year. Twenty-four by the second. Each number felt like mastery, proof he was untouchable. Yet beneath the bravado, unease had begun to grow — a dark seed lodged behind his ribs. At night, he dreamed of black shapes, of eyes too bright, of caws threading through his pulse, whispering warnings he could not quite decipher.

Crow Corner itself was oppressive. The oaks leaned close, their bark jagged like stone, branches twisting overhead, casting shadows that seemed to slither with intent. Fallen leaves carpeted the tarmac, slick and brown, the smell of decay sweet and cloying. Even in daylight, the lane seemed to bend unnaturally, forcing him toward the trees. At dusk, the mist rolled low, ghostly white, blurring the line between road and hedgerow, until the corner felt less like a road and more like a waiting presence.

Despite it all, Daniel pressed on. The thrill called, irresistible. When the first birds stirred at the headlights, their wings flapping, their black eyes gleaming, he felt both triumph and unease. They rose, not scattered, not afraid, but organized, flapping in a wall that seemed to pulse with his own heartbeat.

Shortly after, the collision.

Metal screamed. Glass shattered. Daniel was hurled through the windscreen, a ragdoll in a nightmare. Pain, sharp and immediate, blossomed across him. The world spun. Silence followed. Then the mist.

And he drifted, weightless, beyond his body, watching the ruin of what had once been him.

Above, the crows resettled, wings folding, eyes glinting like polished stones. They waited, patient, eternal. Daniel’s mind reeled. Panic tore through him, disbelief and nausea. He tried to scream, but no sound emerged. His body on the ground lay broken and still, but he… he was somewhere else, hovering, drawn downward by an irresistible pull.

Join us, whispered the rhythm of wings, threaded with voices older than the trees. You will feed. You will serve. You will become part of what you mocked.

The pull consumed him. He swooped, instinct and compulsion overriding every human thought. The first beak met the pale, lifeless flesh. Terror and nausea collided with a shock of exhilarating power. Daniel’s mind twisted, struggling to hold onto the memory of what he had been, what he had done. It was futile. The corner had claimed him.

The trees leaned closer. Mist swirled in the silver light of the moon. The lane seemed narrower, alive with movement, the black shapes above circling in deliberate rhythm. Daniel’s panic gave way to understanding — grotesque, incomprehensible, and absolute. The corner was no mere place. It was patient, sentient, eternal. And it had waited for him.

His arrogance, his laughter, his cruelty dissolved into the rhythm of the murder. He became part of the flock, his consciousness threaded into the pulse of the crows. One of them tilted its head, black eye glinting in moonlight, the first act of judgment complete. Daniel understood, with a sickening clarity, that this was not punishment in the petty sense. This was balance. Life, death, predator, prey, arrogance, humility — all exacted with the inexorable patience of the corner.

By morning, the lane would appear empty, peaceful even, as if nothing had happened. But Crow Corner remembered. The trees, the mist, the blood, the endless black eyes above — all held memory. And one more soul, once human, now forever part of the cycle, fed the legacy of the place.

The bend waited.
Crow Corner waited, and would always wait.

An original short story by Andrew Scaife
© Andrew Scaife, 2026. All rights reserved. 

Making AI Sound Human

A colleague recently sent me an AI-written product description and asked a simple question, and asked me how it looked and did it look like it was written by AI.

The short answer was "Yes." ... not because it was bad - but because it was too good.

It was clean, well structured, easy to scan, and covered every point you’d expect. On paper, it did everything right ... and that’s exactly the problem.

AI content tends to give you the sam results. Same rhythm (same number of parapgraphs in each sentence). Same tone. Same balance. It’s designed to be easy to read, which sounds like a good thing, until you realise it makes everything feel, look and sound the same.

The problem my colleague had here was that this was for website content, not only would it looks like everyone else’s, but it woud be obvious to a search engine that it was AI generated and they would therefore have a real reason to rank it. 

I love AI, I love AI content, you just need to know how to use AI properly. I used to make the mistake of just asking AI to "humanise" content, the problem was, AI doesn't know how to humanise anything, we have to tell it.

Anyway, here’s what I shared with him. 

I have also written a separate post to show the best way to get AI to sound like a human.

1. Your prompt is really important

If you ask AI “Write me a product description for...” ... you’ll get safe, predictable copy back. It’ll be fine. It’ll also be forgettable.

Change the prompt, and everything changes.

Ask it to write like someone with 20+ years’ experience who’s slightly fed up with how these products are usually described. Suddenly the tone changes. It gets less polished, a bit more opinionated, a bit more real.

That’s where things start to feel human, you've given it something human to think about, and it will change the response. What I would say here is don't be over dramatic (unless the piece asks for it), just use enough to feel honest.

2. Add opinion. AI won’t do it unless you tell it to

AI plays it safe by default. It avoids strong opinions, avoids friction, and avoids saying anything that might be challenged, we don’t (even though maybe we should sometimes!)

So feed it lines like:

“We use these all the time here.”
“This is our Sales Manager’s go-to product.”
“You can buy cheaper, but it won’t be a as good as this.”

Or just be direct, like we can all be sometimes:

“We think this is the best option on the market right now.”

I suppose what I try to do with statements like this is get a bit of emotion into the writing, AI doesn't do emotion unless you ask it to and give it examples. This sort of language instantly changes the feel of the content.

3. Break the rhythm

AI loves consistency. Same length sentences. Same flow. Same pacing ... but humands don’t write like that.

So add this to the prompt:

“Vary sentence length. Mix short and long sentences.”

It sounds basic, but it works. But it forces the content out of that predictable pattern.

And don’t be afraid of a short sentence on its own.

Like this.

But don't overdo it, AI can something provide a piece of copy with a lot of short, choppy sentences, it makes sense because it is easy to read, but it is also a giveaway that it's AI written.

5. Edit it. Properly.

AI will get you 80% of the way there, the last 20% is all down to you I'm afriad.

Read it through. change bits, add some personal references, take bits out, reformat bits, It's your content, nobody know you better than you. 

MY GOLDEN RULE: If you HAVEN'T edited it, DO NOT publish it. 

AI is a brilliant tool. I use it all the time, but getting it to sound human isn’t about pressing a button and hoping for the best, it’s about knowing how to steer it in the right direction, and then putting your own stamp on the result.